Project ‘Justice For All Musicians’ Joins Digital Asset Monetary Network

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Digital Asset Monetary Network, a Public Accelerator-Incubator (“PAI”) has onboarded Project JAM (Project Justice For All Musicians, into its ecosystem. JAM is a blockchain-fueled social media platform, focused on bringing fairness and transparency to the music industry.

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“The $50B music industry is something that we have had our hands in for quite some time now,” stated Ajene Watson, CEO of DigitalAMN. “We already have a vested interest in a blockchain component platform, that allows fans to purchase music rights from their favourite artists – which is doing very well by the way. We also have a vested interest in an equity crowdfunding platform that recently launched a funding portal focused exclusively on music industry endeavours. So, it made sense for us to continue building a ‘music line’ of business opportunities for investors, by onboarding a company like JAM. We believe JAM is synergistic with Vezt, Inc., and can likely raise money with equity crowdfunding.”

JAM’s onboarding has coincided with musical history: Lil Nas X’s “Old Town Road” just recently set the record for the most weeks at #1 on the Billboard charts. This song just overthrew Mariah Carey’s “One Sweet Day.” Lil Nas X challenged long-standing institutions and systems and won; proving that the traditional routes are no match for the powerful force of change-makers and visionaries.

Watson continued:

“As we are seeing with Vezt, startups like JAM are the ‘change makers’ and visionaries that a phenomenon like Lil Nas X can be born from; circumventing rigid structures, leveraging technology and destroying the status quo no matter what.”

JAM, whose founding investor has over 3.2 million subscribers and 418 million views – not including their “E-Sports” and Entertainment network, is implementing a multi-platform (Artist to Artist and Artist to Hobbyist) blockchain ecosystem, with the intent to bring justice to the music industry. This includes fixing the limited transparency that exists, the delayed royalty payments and the inability in finding the right people to connect with… whether to simply jam out – or collaborate on a new project. Project JAM is expected to release the first iteration of the company’s platform within the fourth fiscal quarter.

Watson concluded:

“JAM has now entered the ‘Accelerate Phase’ or our PAI model. This is where first, we focus on corporate organization. Then stream the business summary, pitch and market presentation; lastly, implementing a capital raise leveraging ‘The Crowd.’ From there, we aim to see JAM evolve within our growing ecosystem until it becomes a staple in the new ‘millennial’ music industry.”

Project JAM, Inc. (Project Justice for All Musicians (JAM)) is a blockchain component, social media platform, focused on bringing fairness and transparency to music through an ecosystem catering to musicians, songwriters, producers, audio engineers, industry executives and fans. JAM’s ecosystem will implement a multi-platform (Artist to songwriter/Producer and Artist to Industry), to address these problems and give writers, artists and musicians opportunities to formalize the ways in which they collaborate, rated and hired by other musicians, record labels, producers and clients.

Digital Asset Monetary Network, Inc. is the first company to utilize the Public Accelerator-Incubator (PAI) model, with the intent to follow the global success of accelerators and incubators around the world, adding niche opportunities to both the microcap and startup communities. As a PAI, Digital Asset Monetary Network will develop and acquire innovations that solve problems through digital platforms and other electronic applications.

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About Richard Kastelein

Founder and publisher of industry publication Blockchain News (EST 2015), a partner at ICO services collective Token.Agency ($750m+ and 90+ ICOs and STOs), director of education company Blockchain Partners (Oracle Partner) – Vancouver native Richard Kastelein is an award-winning publisher, innovation executive and entrepreneur. He sits on the advisory boards of some two dozen Blockchain startups and has written over 1500 articles on Blockchain technology and startups at Blockchain News and has also published pioneering articles on ICOs in Harvard Business Review and Venturebeat. Irish Tech News put him in the top 10 Token Architects in Europe.

Kastelein has an Ad Honorem - Honorary Ph.D. and is Chair Professor of Blockchain at China's first Blockchain University in Nanchang at the Jiangxi Ahead Institute of Software and Technology. In 2018 he was invited to and attended University of Oxford's Saïd Business School for Business Automation 4.0 programme.  Over a half a decade experience judging and rewarding some 1000+ innovation projects as an EU expert for the European Commission's SME Instrument programme as a startup assessor and as a startup judge for the UK government's Innovate UK division.

Kastelein has spoken (keynotes & panels) on Blockchain technology in Amsterdam, Antwerp, Barcelona, Beijing, Brussels, Bucharest, Dubai, Eindhoven, Gdansk, Groningen, the Hague, Helsinki, London (5x), Manchester, Minsk, Nairobi, Nanchang, Prague, San Mateo, San Francisco, Santa Clara (2x), Shanghai, Singapore (3x), Tel Aviv, Utrecht, Venice, Visakhapatnam, Zwolle and Zurich.

He is a Canadian (Dutch/Irish/English/Métis) whose writing career has ranged from the Canadian Native Press (Arctic) to the Caribbean & Europe. He's written occasionally for Harvard Business Review, Wired, Venturebeat, The Guardian and, and his work and ideas have been translated into Dutch, Greek, Polish, German and French. A journalist by trade, an entrepreneur and adventurer at heart, Kastelein's professional career has ranged from political publishing to TV technology, boatbuilding to judging startups, skippering yachts to marketing and more as he's travelled for nearly 30 years as a Canadian expatriate living around the world. In his 20s, he sailed around the world on small yachts and wrote a series of travel articles called, 'The Hitchhiker's Guide to the Seas' travelling by hitching rides on yachts (1989) in major travel and yachting publications. He currently lives in Groningen, Netherlands where he's raising three teenage daughters with his wife and sailing partner, Wieke Beenen.

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